La conexión secreta entre Ghostbusters y Casper

En una revelación que une a dos de las franquicias sobrenaturales más queridas de los 90, Dan Aykroyd ha confirmado oficialmente un debate que los fans han mantenido durante 30 años: su cameo como el Dr. Ray Stantz en la película Casper (Gasparín) de 1995 es canon y forma parte del universo de los Cazafantasmas.

El legendario comediante hizo la afirmación durante una aparición en el podcast Talking Strange, donde el presentador le preguntó directamente sobre la canonicidad de la escena. La respuesta de Aykroyd fue contundente.

“Creo que sí”, afirmó, explicando que la petición vino del más alto nivel. “El hecho de que [el productor ejecutivo Steven] Spielberg me lo pidiera y dijera: ‘Ven y haz esto’, y que me incluyeran ahí… Por supuesto, es un hermoso guiño a lo que estábamos haciendo con Ivan [Reitman] y todos. Creo que tienes que incluirlo en el canon, sin duda“.

El Cameo que Unió Dos Mundos Fantasmales

Para quienes no lo recuerdan, en la película de 1995, la villana Carrigan Crittenden (Cathy Moriarty) intenta desesperadamente deshacerse de los fantasmas de la Mansión Whipstaff. Tras un intento fallido de exorcismo, decide llamar a los expertos.

En la siguiente escena, se ve a Ray Stantz, con su icónico traje y equipo, saliendo a toda prisa de la mansión. Derrotado por los tíos de Casper, Stantz le dice a Carrigan: “¿A quién vas a llamar? ¡A otra persona!”, antes de huir. La escena se convirtió en un momento memorable y en el primer “crossover” no oficial de la franquicia.

El Futuro de los Cazafantasmas: Slime Rosa y una Serie Animada

Además de resolver este misterio de la cultura pop, Aykroyd ofreció una actualización sobre el futuro de los Cazafantasmas. Confirmó que habrá una nueva película de acción real, y que el equipo creativo ya está explorando qué dirección tomar.

Insinuó que la trama podría reflejar los problemas actuales de la sociedad: “¿Cómo no tener en cuenta algo de lo que estamos viendo en términos del comportamiento execrable de la especie humana? Eso podría ser analizado, ya sabes, tal vez se manifieste en algún tipo de formación maligna”.

Aykroyd también reveló que una nueva serie animada de los Cazafantasmas “saldrá muy pronto”, con un estilo visual y un enfoque que describió como “realmente emocionante”, sugiriendo que podría abordar temas sociales de una manera accesible.

Con esta confirmación, la película de Casper se convierte técnicamente en la quinta película canónica de la saga original de Ghostbusters, uniendo para siempre a dos de los fantasmas más famosos de la historia del cine. 

“Nymphomaniac” photographer Casper Sejersen’s explosive images

There’s something unsettling in the work of photographer Casper Sejersen. In one image, a woman stands serenely in a flimsy creamy yellow dress.

Most times, ideacide happens without us even realizing it. A possible off-the-wall idea or solution appears like a blip and disappears without us even realizing. As a result, some of our best stuff is suppressed before even getting out into the world. Whether it’s because we’re too critical or because we recoil at the impending pain of change, the disruption of normalcy, self-censoring arises out of fear. Welsh novelist Sarah Waters sums it up eloquently: “Midway through writing a novel, I have regularly experienced moments of bowel-curdling terror, as I contemplate the drivel on the screen before me and see beyond it, in quick succession, the derisive reviews, the friends’ embarrassment, the failing career, the dwindling income, the repossessed house, the divorce…”
We know self-censoring by many names. Carl Jung called it our “inner critic.” Michael Ray and Rochelle Myers called it the “voice of judgment” in their classic book, Creativity in Business, based on a popular course they co-taught at Stanford University Graduate Business School. Novelist and screenwriter Steven Pressfield called it “Resistance,” writing that it is “the most toxic force on the planet” and that it is “a monster.”

 

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One touch of a red-hot stove is usually all we need to avoid that kind of discomfort in the future. The same is true as we experience the emotional sensation of stress from our first instances of social rejection or ridicule. We quickly learn to fear and thus automatically avoid potentially stressful situations of all kinds, including the most common of all: making mistakes. Researchers Robert Reinhart and Geoffrey Woodman of Vanderbilt University refer to this phenomenon as the “Oops! Response,” which is the product of the adrenaline-fueled, threat-protection system in our brain that not only governs our fight-flight-surrender response, but that also enables us to learn from our mistakes. This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

This response is important for our ability to learn from mistakes, but it also gives rise to self-criticism, because it is part of the threat-protection system. In other words, what keeps us safe can go too far, and keep us too safe. In fact, it can trigger self-censoring.

Our greatest weakness lies in giving up. The most certain way to succeed is always to try just one more time.

That immediately brought to mind one of my fondest memories, involving my daughter when she was just a toddler of one: taking her with me on the short walk to check the mail. I live in a small enclave of homes in which all the mailboxes are together in a central location, less than a minute’s walk from my front door…when I walk alone, that is. When I would take my daughter with me it was easily 20 minutes. Everything along the way, to and from, fascinated her: every pebble, ant, stick, leaf, blade of grass, and crack in the sidewalk was something to be picked up, looked at, tasted, smelled, and shaken. Everything was interesting to her. She knew nothing. I knew everything…been there, done that. She was in the moment, I was in the past. She was mindful. I was mindless.

Defaulting to Mindfulness: The Third Person Effect

Part of the answer is something psychologists refer to it as self-distancing, a term coined by researchers Ethan Kross and Ozlem Ayduk. What spurred Ethan Kross to investigate the concept in the first place was an act of mindlessness: He accidentally ran a red light. He scolded himself by saying out loud, “Ethan, you idiot!” Referring to himself in the third person made him wonder if there might be something more to this quirk of speech, and if it might represent a method for changing one’s perspective.

The short answer is yes. According to Kross, when you think of yourself as another person, it allows you give yourself more objective, helpful feedback.

Both of these assumptions, of course, could be entirely false. Self-censoring is firmly rooted in our experiences with mistakes in the past and not the present. The brain messages arising from those experiences can be deceptive. And if what our censoring self thinks it “knows” may in fact not be true, then automatically accepting it as some sort of inert truth is indeed mindless and self-defeating. Langer agrees: “When you think ‘I know’ and ‘it is,’ you have the illusion of knowing, the illusion of certainty, and then you’re mindless.” Langer argues that we must learn to look at the world in a more conditional way, versus an absolute way. Understanding that the way we are looking at things is merely one among many different ways of looking at them requires us to embrace uncertainty.